No one makes a hangout movie like Jim Jarmusch. From his feature-length debut Permanent Vacation onward, the American writer/director has woven his affinity for intimate settings and observational humor with various flourishes. Only Lovers Left Alive gave us vampires lounging around a rotting Detroit. The Dead Don't Die offered ghouls with the energy and desires of a late-night hang, craving coffee and chardonnay (and brains). Now, FATHER MOTHER SISTER BROTHER offers the familiar family hang — one that's authentically awkward, funny, and tragic.
In the 2012 film adaptation of the Dr Seuss book The Lorax, a fable about capitalist greed, air is a commodity.
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